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Climate, art & artificial intelligence

Climate, art & artificial intelligence

Future Talk: Climate X Change

Future Talk: Klima, Kunst & Künstliche Intelligenz

The interdisciplinary series Future Talk: Climate X Change (Link) at KunstHausWien is dedicated to the demands of the Fridays for Future movement and examines relevant topics in the context of the climate crisis.

The British thinker and utopian James Lovelock saw the end of the human-centred Anthropocene and prophesied a new geological epoch, the Novocene, an age of hyperintelligence, no longer dominated by humans alone, but by artificial intelligence and advanced technology. But can such a change in perspective help save our planet? Experts from the fields of science, art and activism discuss the possibilities and limits of artificial intelligence as a climate protection measure. How can the use of AI help us tackle the climate crisis when its energy needs are actively contributing to it?

The talk is part of the exhibition The End Is Where We Start From by Anne Duk Hee Jordan. Experts from art, science and activism will discuss the future of our climate.


Panelists: Elvira Lutter, Programme and Research Manager, Climate & Energy Fund Flavia Mazzanti & Manuel Bonell, media artists, Immerea David Schedl, Project Manager, BAMBI Florian Schlederer, climate writer, physicist and philosopher

Presentation: Michael Huber, Kurier

In collaboration with the Kurier.

In the framework of Vienna Art Week


Recorded on THU 14.11.2024, 18:00-19:30

Language: German

Dates

  • Thu 14.11.2024 18:00–19:30
    Climate, art & artificial intelligence Future Talk: Climate X Change
Exhibition Duration 11.09.2024–26.01.2025

Anne Duk Hee Jordan

Anne Duk Hee Jordan

The End Is Where We Start From
The End Is Where We Start FromWhat we call the beginning is often the endAnd to make an end is to make a beginning.The end is where we start from.These lines by T. S. Eliot from Little Gidding, the final poem, published in London in 1942, of the Four Quartets series, are the inspiration for the eponymous title of Anne Duk Hee Jordan’s first…
Mechanic otopus arms coming out of tin-can on a podest surrounded by reflective walls

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